Monday, December 20, 2010

I could not find anything interesting, so instead I decided to put up a fairy tale/ Green mythology theme ad campaign. This is for Meltin' Pot ad campaign.The print ads depict a modern take on old classics with the heroes wearing the latest from the Meltin’ Pot collectionInstead of a passionate kiss, poor Sleeping Beauty gets a rude awakening with a car jumper cable on the hands of a dude in jeans and a leather jacket. Beauty having her dance with the Beast in a funky denim gown.



Saturday, December 18, 2010

Maria: Carine Roitfeld is leaving Vogue Paris to usurp Anna Wintour as editor of Vogue US?

Lately it's  been clear that Anna's influence over fashion industry  reached  the  point of absurdity. More and more people started questioning her  level of creativity and reliability. The commercial aspect of Vogue Us is so obvious that it's almost sad. Well.. we're about to find out whether  it's going to change or not.  
A few days ago it's been announced that  Carine Roitfeld is leaving Vogue Paris for good. The official reason is that Carine quits the magazine to concentrate on her "personal projects". However English News Parer "The Guardian" has published a very interesting article  where they discuss the possible reasons of Carine quitting  Vogue Paris.
As you can guess from the title of this post one of the possible reasons is that Carine might take over Vogue Us. 
Here is a quotation from the article : 
"Despite this claim to have nothing planned, many still believe she will usurp Anna Wintour as editor of US Vogue. These rumours have circulated for years, despite Roitfeld always denying wanting Wintour's job. Asked about it in an interview with the Guardian last year, she said: "No! How you say, there is no rumour without fire? No smoke? Well, in this situation, there was no fire, because I was never, ever approached to go to America. And to be honest, if they approached me, I think it's really not me. I'm good at what I do here and I'm not sure if you put me in that world I would be as good. I think it's much easier to talk to 100,000 women than millions of women across America." "
You can also read the entire article if you're interested :
http://www.guardian.co.uk/lifeandstyle/2010/dec/17/carine-roitfeld-resigns-paris-vogue?intcmp=239


I dont know how true these gossips are but what i do know is that   Anna has always been in a state of "Cold War" with all the  other  head editors of Vogue. Which is not surprising since Anna has a hard time communicating with pretty much everyone. But, as far as i'm concerned Anna's attitude has never been an issue to the headquarters of Conde Nast.  Also  I'm not sure that Carine needs and wants to add Vogue US to her job list.
But my opinion doesnt really matter because i'm not a big fan of  Vogue Us and you're not going to get anything objective from me.
So,  tell me, what do you guys think? Do you want Carine to take over Vogue US? Do you think that Anna is what American reader likes and needs? 
P.S ..Also in the article they say that : Condé Nast said her replacement would be announced within the next few weeks. Current frontrunners include Emmanuelle Alt, Paris Vogue's fashion director, and Aliona Doletskaya, the recently resigned editor-in-chief of Russian Vogue. "
Who do you think should be a replacement  for Carine Roitfeld? Maybe, you know someone else who's going to be great for this job? Bloggers were saying that Anna Dello Russo, fashion editor of Vogue Japan, is the best candidate. 
Carine Roitfeld and Anna Wintour
Candidate 1: Emmanuelle Alt

Candidate 2 : Aliona Doletskaya

Candidate 3 : Anna Dello Russo 

GUYS! I need your thoughts on the situation and these lovely ladies :)




Kate Middleton's Wedding Dress: Designer Sketches!

This morning, WWD published an amazing story – Instead of continuing to speculate about what Kate Middleton will wear on her wedding day, the publication reached out to esteemed designers from around the world, asking them to sketch suggestions for the Princess' dress. We've picked some favorites – from the likes of Jason Wu, Vera Wang and Karl Lagerfeld – and even if these gowns remain a figment of the designers' imaginations, we think that each and every one is fit for a Princess. 


Read The Full Article from StyleCaster Kate Middleton's Wedding Dress: Designer Sketches! - Fashion News - StyleCaster http://www.stylecaster.com/news/10164/kate-middletons-wedding-dress-designer-sketches#7#ixzz18Scts7Xd
Sign Up For StyleCaster! StyleCaster



Karl Lagerfeld's Victorian-with-a-twist dress for Chanel.
Frida Giannini imagines a perfect balance of elegance and contemporary glamour in her dress for Gucci, using "clean lines, soft shapes and classic touches such as the boat neckline and distinctive train."

Jason Wu suggested "mixing traditional opulence with a very clean aesthetic for this modern-day princess."
Monique Lhullier regularly designs dresses for the rich and famous, but no wedding is quite as magical as a royal one.  She sketched a design that is "a modern mix of the traditional and contemporary.”

Nicole Miller has a very clear vision for Ms. Middleton on her wedding day: "I think no poof and froufrou. Elegant with a modern twist. A little sexy, but also modest.”

Peter Copping's (of Nina Ricci) creation for the Princess is “light as a feather, [with] layers of lace and organza."

CFDA/Vogue Fashion Fund runner-up Prabal Gurung chose a full skirt that's fit for a Princess. “The look is regal with respect for the heritage of the royal family but represents what modern Europe is all about.”

Reem Acra compliments his simple A-line gown with a long train, veil and embroidery to add drama "It’s regal and sophisticated.”


Alberta Feretti imagines Kate in an "embroidered, fluid-silhouette dress."

The always colorful Chris Benz believes that Kate "represents a new freshness to the monarchy," hence the modern design.

Vera Wang's traditional design mixes lace, silk tulle, a high-necked bodice, a voluminous skirt and elbow-length sleeves. It "feels regal, yet poetic.”

It was only a matter of time before the Kate Middleton wedding dress speculation would turn into a full-on sport. British couture designer Bruce Oldfield has received such overwhelming interest from gamblers placing bets on the dress Middleton will wear on her wedding day, that bookmaker site Paddy Power has closed all bets. The designer was a favorite of the late Diana Princess of Wales.

This morning, a spokesperson told Vogue UK, "We were receiving one-way traffic for Bruce Oldfield and there is no point in taking bets when all the interest is in one person. He started as 4/1 joint favourite, but since then his odds have been slashed to 1/3. That would mean there is a 75 per cent chance of him being the wedding dress designer."

In the age of PR spills and WikiLeaks, it's not rare to catch wind of classified information prematurely, but since the only current indication of Oldfield's involvement in the wedding dress design is a gamble, it will be particularly interesting to see if this rumor rings true.
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Sorry for the super long post but here are my questions anyway...

- WHY is this so important?
- Do you think one of the above sketches WILL be selected as the actual dress?
- Why do you think that all of these famous designers have agreed to contribute to designing a dress which may not be selected?

I think that all of these designers have created looks for Kate Middleton mainly because it is SOOOO talked about and focused on in the media. Who ever designs the wedding dress for this massive royal event will receive so much publicity and will probably be the "IT" designer when it comes to wedding gowns. There will probably be hundreds of copies of the dress Kate wears for her wedding, as you can see people are getting so crazy as to bet on the situation, that amazes me. 
So all in all I think that the designers are all fighting to be the chosen one because with the dress selected the designer will receive so much exposure, opportunities and sales. Anyway the sketches are absolutely beautiful, I wish I could have all of these designers dying to create my wedding dress some day. :P

Gena


Monday, December 13, 2010

thumbs up for lil' J

Taylor Momsen accepted "Special Jury Prize" at the Elle Style Awards in Istanbul.
Although her heavy make-up makes us think the opposite, Taylor Mamson depicted her rather down to earth attitude at the Elle Style Awards in Istanbul. She was smiling all the time as she was answering the interview questions; maybe she was just happy to be one of the very few international celebrities that attended to the show...



Executive Creative Director: Idris Lien
Creative Director: Adham Obeid
Art Director: Issam Albouni
Regional Account Director: Bashar Aboul Hosn
Photographer: Tejal Patn





It all started during the July 2006 war on Lebanon, when a group of veteran and skilled activists from different countries came together to work on the worst environmental disaster in the history of the Eastern Mediterranean
IndyAct is all about the individual. Any organization, no matter what it does or how it is structured, is only as good as the individuals running it. A lot of the great social and environmental organizations around the world were built on the reputation of a few people who had a dream.

Maria: Moscow becomes a battlefield for mass market and high fashion

Moscow has always been one of those places where  top luxury brands made huge profits,   but this time things went way too far.
I'm sure  you're all familiar with Lanvin for H&M collection. Obviously it was a huge success in Moscow like in any other city and made a great deal promoting Lanvin  among Russian customers...well, we thought it did...


Apparently,  Lanvin tried it's  hardest to make H&M not to bring the collection  to  Moscow and even though it caused a strong resentment from H&M's side,  they  did reduce the quantity of  items that were brought to H&M store in Moscow.
I'm sure you're wondering why  a fashion brand that has nothing to do with mass market would do something like that ? Well, the reason  for it, is  that Lanvin doesn't want to be associated with H&M in the eyes of Russian customer. In times of a financial crisis there're a very few places where people buy luxury products in a big quantities and Moscow is one of those places. Lanvin was scared that Russian customers of the brand will feel like Lanvin  is going in a more affordable direction and as a result will stop buying it.
The reason for those concerns is not only the collaboration with H&M but the fact that sales of Lanvin in Moscow were dropping like crazy, for example the amount of sales in 2010 was only 2.2 millions of euros, comparing it with the  year 2009 when it was 3.19 millions of euros  we can see that the brand is not doing well. 
So, what do you think? Was all that fuss necessary? 

And there is something else that i want to show you guys, it also evolves around Moscow's fashion scene.

The cover of Vogue Russia,  January 2011 issue.  Do you recognize anything?  Yes, The Balmain dress  aint going nowhere ) i'm just gonna keep on counting the number of covers )

Flattery Will Get an Ad Nowher

STUDIED

Flattery Will Get an Ad Nowhere


THE GIST Beauty product ads make women feel ugly.
THE SOURCE“The Self-Activation Effect of Advertisements: Ads Can Affect Whether and How Consumers Think About the Self,” by Debra Trampe, Diederik A. Stapel and Frans W. Siero, The Journal of Consumer Research.
APPARENTLY it doesn’t take much to make a girl feel plain. Just looking at an object intended to enhance beauty makes women feel worse about themselves, according to a study from the April 2011 issue of The Journal of Consumer Research.
The study looked at how women responded to an image of something (say, a high-heeled shoe) depicted in an advertisement and as a simple photograph with no advertising context. According to the authors — led by Debra Trampe, an assistant professor of marketing at the University of Groningen in the Netherlands — advertised products, unlike unadvertised products, affect both whether and how the viewer thinks of herself afterward. In other words, an image of the high-heeled shoe in a stylish advertisement is likely to trigger a sense of inadequacy.
Of course, you’d anticipate ads featuring Lara Stone and Chanel Iman would make most women feel less than lovely. But here’s an interesting catch: the ads in the study did not feature human beings, or the model approximation thereof. While social-comparison theory holds that people gain information about themselves by looking at other people, according to this study at least, they also gain information about themselves by comparing themselves to objects.
In four different experiments with female undergraduates, beauty products were divided into two categories: beauty enhancing, such as mascara and perfume, and problem solving, such as acne cream and deodorant. One group of students was shown ads for both types of products; another group was shown simple images of both, without advertising.
Those who were shown advertised beauty-enhancing products were likely to think about themselves more afterward than other women would. Perhaps not such a big deal. But the thoughts they had about themselves (when asked questions such as “How attractive do you find yourself?” and “How satisfied are you with your body?”) were decidedly gloomier.
In advertising, implicature refers to the implicit message carried out by an image in an ad. The presence of a cashmere scarf next to a lipstick, for example, can imply luxury and softness. This is established Madison Avenue thinking.
But, the authors suggest, the very fact of the ad itself also conveys meaning to consumers. According to the study, “advertisements displaying beauty-enhancing (rather than problem-solving) products are likely to remind consumers of their own shortcomings.” This, in turn, makes them view themselves more negatively. The authors quote Christopher Lasch, who back in the 1970s said “modern” advertising “seeks to create needs, not to fulfill them; it generates new anxieties instead of allaying old ones.”
What does this mean, other than a plummeting sense of self-esteem after putting down a fashion magazine? “You might expect that a deflated sense of self could lead to lower buying intentions,” said Dr. Trampe, a question she plans to explore further. Or, perhaps, the true basis for “shopping therapy.”

A version of this article appeared in print on December 12, 2010, on page ST6 of the New York edition.
HERE ARE SOME EXAMPLES OF AD CAMPAIGNS WHICH DO NOT HAVE MODELS... TELL ME HOW THEY EFFECT YOU..
In Store Magazine rated this jewelry ad as one of the top 10% of all ads they have ever seen. (above)

A Tacori ad featuring diamond rings on a golden key, is this the key to beauty, eternal youth, love or elegance?


-- I know that advertisement aims to trigger an emotional attachment or desire in the consumer that will make them associate a certain product with a feeling. And it is also known that fashion is about never being good enough, skinny enough, beautiful enough, not new enough or expensive enough its all about pointing out people's insecurities and suggesting that your product can solve the appropriate self esteem issue, because after a certain extent fashion is a want and not a need. What interests me is that after decades of having these rules of advertising and fashion being implemented in us we can now look at an advertisement and see a simple shoe and still feel shitty about ourselves... FROM A SHOE! That's just evil...
One brand that does a lot of ad campaigns without any models and have an interesting presentation is Clinique. Here are some examples... 
From these ads what do you think, do you agree with the study?
Do you think ads which do not feature models can still effectively sell and be memorable?
Do you think that Clinique has the same theory as the study mentioned above?
Why does the fashion world constantly try to belittle it's consumers through not only advertisement, but also philosophy, size ranges and price? Isn't there a positive way to make people want to buy your product?

I'm still a little bit confused about this study and I am still trying to figure out if Clinique adopts this theory to their marketing or not... 

Gena