Sunday, December 12, 2010

The new film Dior: Lady Grey

Linh
After the movie Black Lady in Paris directed by Olivier Dahan, Lady Red in New York directed by Jonas Akerlund and Lady Blue Shanghai directed by David Lynch, the saga of Lady Dior this season ends the film in London with Lady Grey. Muse multiforme, Marion Cotillard has transformed over the countryside and moved hitchkokienne heroin in a film noir plot as the 40s in Paris, containing an androgynous rock star as Franz Ferdinand in New York or tormented love in the heart a phantasmagoric dream in Shanghai. Thread of the plot, the famous Lady Dior bag is present in every episode and also by changing metamorphosis turns color.

 
The latest installment in the saga that takes place this time in London, is signed by American director John Cameron Michell. We discover Marion Cotillard transformed this time in a cabaret dancer. Wearing a huge hat with feathers as Josephine Baker and a long silver sheath, she descends from the stage to give a handle (with the door key is printed the famous pattern "caning") to a mysterious man ...

I was wondering what's the point of making this even it's really beautiful made? and luckly I found a great comment from someone:
"it's about how Lady Dior is fascinating, captivating, influential to those who encounter her, but independent. She forms indelible bonds with the men in the film, but in the end she, unlike they, only needs herself to be happy. At the end, she's alone and at the top of the world, satisfied in her independence"

So do you guys like it?
XOXO

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